This site-specific installation extends an ongoing practice of using found imagery and earlier work as material to be recycled, reconfigured, and re-presented. Meaning emerges through transformation—delicate yet deliberate—as new visual orders take shape and traditional hierarchies of media are dissolved. 

Informed by the slow rhythms of geologic time, Technical Comfort sets a stage where the natural world and digital systems press against one another. Volcanic smoke unfurls like a haunting rupture; the moiré of a screen resurfaces in print; looping videos echo the persistent question: Is it dying? This collection of images, objects, and moving sequences offers a glimpse into ongoing inquiries into memory, time, and the construction of systems.

Looking toward an uneasy future, Technical Comfort explores the tension between nature and technology. A selection of recycled images becomes a tool for considering slow and fast time, holding space for what persists, what mutates, and what slips away.