Collapse (2017) traces the fragility of both physical and psychological structures as they strain and buckle under constant pressure. Built from a daily practice of photographing every image encountered on a screen, the work gathers the detritus of continuous looking—an archive of visual noise that usually passes through us unnoticed.

Printed on ordinary copy paper, these images nod toward office culture, where the consumption of pictures and information has become a kind of invisible labor sustaining contemporary advertising economies. Hung on ticket rails, they echo the physical demands of service-industry work, setting digital fatigue against analog gestures.

Through its layered materials and fragmented images, Collapse reflects on impermanence, tension, and the precarious moments before systems give way—asking what remains, or reassembles itself, when collapse is no longer hypothetical but already unfolding.